Considered by many to be the greatest Latin American author, Gabriel GarcÃa Márquez encompasses the sight of peasant reartlers and the talent of discursive gypsies in his writing. Most known for his celebrated epic refreshing One blow years of Solitude, this Colombian Nobel Prize compass is the father of a new(a) literary genre called wizard(prenominal) sureism. With a touch of authenticity and a hint of fantasy, he creates a masterpiece. GarcÃa Márquezs section to the literary homo distinguishes him as a subject renowned of study, for his work raises measurable questions of conviction and cosmos.         By square offting the received for magical reliableism, GarcÃa Márquez prompts the reader to question what is certain and what is unreal. In his work, he implies that our conception of reality is tainted by pragmatism and that reality is a far cry from rationality. With a mixture of political similitude and superstition, GarcÃa Márquez combines the actuality of news media and the gist of folktale to set the savor for his writing. He confirms: The tone that I eventually engage in One Hundred Years of Solitude was get to on the way my gran used to tell stories. She told things that sounded spiritual and fantastic, but she told them with complete naturalness... What was well-nigh important was the mental synthesis she had on her face.

She did not change her expression at all when vocalizing her stories and everyone was surprised. In previous attempts to keep, I tried to tell the narration without believing in it. I discovered that what I had to do was believe in them myself and write them with the same expression which my grannie told them: with a brick face. This technique is hard-hitting because it annihilates the distinction between the real and the fantastic, causing the reader to view their perspectives on... If you want to get a full essay, order it on our website:
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