In Tennessee Williams play The Glass Menagerie; he uses symbols to comprise the reoccurring nucleotide of the failure to accept reality and turkey cocks theme of escape. same(p) his narrator, Tom, Williams has a poets weakness for symbols and the most prominent of these symbols is Lauras glass menagerie, which is genuinely primal to the play and links all the themes to pointher. Â Â Â Â Â Â Â Â The front symbol, presented in the first scene, is the reap up escape. This represents the bridge dividing the illusory origination of the Wingfields and the world of reality. Â Â Â Â Â Â Â Â The flatcar faces an alley and is entered by a fire-escape, a social organisation whose discover is a touch of accidental poetic truth, for all of these grand buildings are al elbow rooms longing with the slow and implacable fires of gentleman desperation. This bridge seems to be a one stylus passage. tho the direction varies for each character. For Tom, the fire escape i s the way come out of the closet of the world he lives in with Amanda and Laura and an entrance into the world of reality. This likewise symbolises how Tom wants to escape from the trap he calls kin and travel by a more adventurous life. Therefore, he is drawn to the fire-escape to be in touch with the outside world and to forget the problems inside.

It tail end be argued that inside is full of people who lead false lives, and that is Toms reality. This is evident when Tom stands on the fire escape to smoke, application that he does not enjoy being at crime syndicate; to be a part of the illusory world of cardinal Amanda and Laura, which they both find security in. Â Â Â Â Â Â Â Â For Laura, the fire escape is the w! ay into her world, which is her escape from reality from the outside world she fears. She thinks of the fire... If you want to get a full essay, order it on our website:
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